何健汶 Zip Ho
畢業於香港演藝學院舞蹈學院深造文憑，主修音樂劇舞。何氏早於畢業前已在天邊外劇場跟隨陳曙曦進修戲劇，現成為天邊外劇團核心團員。何氏現為自由身表演者、及舞蹈導師。作為表演者參與的演出有：前進進超連結牛棚實驗劇場節《植夢的愛麗思》、中英劇團《搶奪芳心喜自由》及香港話劇團《捕月魔君‧卡里古拉》、《魔君前奏》(《捕月魔君‧卡里古拉》演前節目)、大型慈善舞台劇《留住百味情》、 天邊外劇場《編風作浪》、《焚城令》(首演及重演) 、《神秘！後舞台的白雪公主》，香港舞蹈團音樂劇《夢傳說》、《賣火柴的女孩》、大型音樂劇《Oliver》及《Annie》。何氏曾於不同的舞蹈學校任教，亦為不少學校及演出擔任編舞的工作。在校期間修讀舞蹈教學法，更擔任課程助教。
2009年7月30日 星期四
2009年7月29日 星期三
徐碩朋Allan TSUI Shek-pang
徐碩朋Allan TSUI Shek-pang
徐碩朋先後畢業於香港理工大學、演藝學院電影電視學院及演藝學院科藝學院，修讀設計、電影電視製作，及舞台佈景及服裝設計，分別於1995、1996及2000年獲頒設計學文憑、科藝文憑﹙電視/電影﹚及藝術學士﹙榮譽﹚學位。曾任職電影美術指導工作，亦曾擔任演藝學院科藝學院及電影電視學院客席導師。現為香港電影美術學會會員及香港舞台技術及設計人員協會幹事。
近年主要舞台設計作品包括中英劇團《西遊》、劇場組合《小紅帽的藍色世界》(重演)、三角關係《二人餐》、《愛情戲》及《20出頭》、7A班戲劇組《博士熱愛的算式》﹙擔任舞台及服裝設計﹚、青藝節《我要高飛》、糊塗戲班《翻叮卡啦騷》、偶友街作木偶劇團《花肚兜II之神奇窗戶》、森美小儀歌劇團《早安啊！曼克頓﹗》、澳門演藝學院《有客到》﹙擔任舞台及服裝設計﹚，香港演藝學院《夢斷舞城西》及演藝進修學院《油脂》等。2006年憑《花肚兜II之神奇窗戶》於香港舞台設計展中獲選，將於2007年代表香港參與捷克布拉格舞台設計四年展。
除了為多個劇團作舞台設計外，徐氏亦積極參與藝術教育工作。曾參與製作演藝學院《舞台無限》展覽，並擔任木偶工作坊之導演、製作設計師及導師﹔亦曾任青藝節《香港賽馬會城市綠林視藝計劃》之裝置藝術導師。現為自由身平面設計師、攝影師、及舞台佈景及服裝設計師。
Allan Tsui studied Design, Film and Television Production, and Theatre Set and Costume Design at the Hong Kong Polytechnic University, the Academy’s School of Film and Television, and the Academy’s School of Technical Arts, where he obtained a Diploma in Design, a Diploma of Technical Arts (TV/Film) and a Bachelor of Fine Arts (Honours) Degree in 1995, 1996 and 2000 respectively. He served as an assistant art director for various film productions in the early part of his career, and has been a part-time tutor at the Academy’s School of Technical Arts and School of Film and Television. He is currently a member of the Hong Kong Film Arts Association, and the board member of the Hong Kong Association of Theatre Technicians and Scenographers
Allan has been actively involved in theatre productions as set designer. Recent works include Chung Ying Theatre’s Modern Journey to the West, Theatre Ensemble’s The Secret Garden of Red Hoodlet (re-run), Trinity Theatre’s Table for Two, Love Play, and Those Were The Days, Class 7A Drama Group’s Formula in Love (as set and costume designer), Hong Kong Youth Arts Festival’s Fame, Nonsensemakers’ Finding Colour Show, Make Friends with Puppet’s Ah Dull and Little Dragon II – Magic Window, Commercial Radio’s Good Morning Manhattan!, Macao Conservatory’s The Visit (as set and costume designer), the Academy’s production West Side Dance Story and E.X.C.E.L.’s Grease. In 2006, Allan’s “Ah Dull and Little Dragon II – Magic Window”is selected in the Hong Kong Theatre Design Exhibition 2006, he will represent Hong Kong to participate in the Prague Quadrennial 2007.
Besides designing for the stage, Allan has also participated theatre education projects. He was the puppet workshop tutor and puppeteer of the Academy’s Technical Arts Exhibition Theatre Infinity, and the installation arts tutor for the Hong Kong Youth Arts Festival’s The Hong Kong Jockey Club Urban Jungle project. Allan is currently a freelance graphic designer, photographer, and theatre set, props and costume designer.
徐碩朋先後畢業於香港理工大學、演藝學院電影電視學院及演藝學院科藝學院，修讀設計、電影電視製作，及舞台佈景及服裝設計，分別於1995、1996及2000年獲頒設計學文憑、科藝文憑﹙電視/電影﹚及藝術學士﹙榮譽﹚學位。曾任職電影美術指導工作，亦曾擔任演藝學院科藝學院及電影電視學院客席導師。現為香港電影美術學會會員及香港舞台技術及設計人員協會幹事。
近年主要舞台設計作品包括中英劇團《西遊》、劇場組合《小紅帽的藍色世界》(重演)、三角關係《二人餐》、《愛情戲》及《20出頭》、7A班戲劇組《博士熱愛的算式》﹙擔任舞台及服裝設計﹚、青藝節《我要高飛》、糊塗戲班《翻叮卡啦騷》、偶友街作木偶劇團《花肚兜II之神奇窗戶》、森美小儀歌劇團《早安啊！曼克頓﹗》、澳門演藝學院《有客到》﹙擔任舞台及服裝設計﹚，香港演藝學院《夢斷舞城西》及演藝進修學院《油脂》等。2006年憑《花肚兜II之神奇窗戶》於香港舞台設計展中獲選，將於2007年代表香港參與捷克布拉格舞台設計四年展。
除了為多個劇團作舞台設計外，徐氏亦積極參與藝術教育工作。曾參與製作演藝學院《舞台無限》展覽，並擔任木偶工作坊之導演、製作設計師及導師﹔亦曾任青藝節《香港賽馬會城市綠林視藝計劃》之裝置藝術導師。現為自由身平面設計師、攝影師、及舞台佈景及服裝設計師。
Allan Tsui studied Design, Film and Television Production, and Theatre Set and Costume Design at the Hong Kong Polytechnic University, the Academy’s School of Film and Television, and the Academy’s School of Technical Arts, where he obtained a Diploma in Design, a Diploma of Technical Arts (TV/Film) and a Bachelor of Fine Arts (Honours) Degree in 1995, 1996 and 2000 respectively. He served as an assistant art director for various film productions in the early part of his career, and has been a part-time tutor at the Academy’s School of Technical Arts and School of Film and Television. He is currently a member of the Hong Kong Film Arts Association, and the board member of the Hong Kong Association of Theatre Technicians and Scenographers
Allan has been actively involved in theatre productions as set designer. Recent works include Chung Ying Theatre’s Modern Journey to the West, Theatre Ensemble’s The Secret Garden of Red Hoodlet (re-run), Trinity Theatre’s Table for Two, Love Play, and Those Were The Days, Class 7A Drama Group’s Formula in Love (as set and costume designer), Hong Kong Youth Arts Festival’s Fame, Nonsensemakers’ Finding Colour Show, Make Friends with Puppet’s Ah Dull and Little Dragon II – Magic Window, Commercial Radio’s Good Morning Manhattan!, Macao Conservatory’s The Visit (as set and costume designer), the Academy’s production West Side Dance Story and E.X.C.E.L.’s Grease. In 2006, Allan’s “Ah Dull and Little Dragon II – Magic Window”is selected in the Hong Kong Theatre Design Exhibition 2006, he will represent Hong Kong to participate in the Prague Quadrennial 2007.
Besides designing for the stage, Allan has also participated theatre education projects. He was the puppet workshop tutor and puppeteer of the Academy’s Technical Arts Exhibition Theatre Infinity, and the installation arts tutor for the Hong Kong Youth Arts Festival’s The Hong Kong Jockey Club Urban Jungle project. Allan is currently a freelance graphic designer, photographer, and theatre set, props and costume designer.
Adrian Yeung 楊振業
Adrian Yeung 楊振業
畢業於香港大學電腦工程系，現為錄像設計，亦參與編導演工作，包括導演樹寧‧現在式單位主辦第二屆「新鮮‧新動力」藝術節的《挪威沒有森林》，編導糊塗戲班《樓上動物園之北極熊》，演出 Burntmango《石屎森林》及進劇場《暖大衣》。
錄像設計作品包括08年新視野藝術節《鯨魚背上的慾望》、森美小儀歌劇團《小孖俠》、香港藝術節《改造情人》、彭秀慧《再見不再見》、楊春江《靈丹》、梅卓燕李鎮洲舞蹈劇場《藍舞》、糊塗戲班《爆谷殺人狂》、進劇場《象從不遺忘》、楊惠美獨舞《捕捉流水》等。
Graduated from the University of Hong Kong in computer engineering, Adrian Yeung is a video designer and theatre practitioner. He directed (No)rwegian Wood (Shu Ning Presentation Unit YY Theatre Green Power 2), performed in Theatre du Pif's the Overcoat, wrote and directed Nonsensemakers' Coolie Zoolie (Polar Bear).
His recent video works for theater include New Vision Art Festival ’08 In the solitude of cotton field, SamKit’08 Perfect Match, HK Art Festival '08 The Shape of Things, Kearen Pang's Goodbye but goodbye, Daniel Yeung's Medi.C, Mui Cheuk-yin and Lee Chun-chow's Dancing Blue, Nonsensemakers' Popcorn, Theatre du Pif's e never forgets and Yeung Wai-mei's Spiritual Girl etc.
畢業於香港大學電腦工程系，現為錄像設計，亦參與編導演工作，包括導演樹寧‧現在式單位主辦第二屆「新鮮‧新動力」藝術節的《挪威沒有森林》，編導糊塗戲班《樓上動物園之北極熊》，演出 Burntmango《石屎森林》及進劇場《暖大衣》。
錄像設計作品包括08年新視野藝術節《鯨魚背上的慾望》、森美小儀歌劇團《小孖俠》、香港藝術節《改造情人》、彭秀慧《再見不再見》、楊春江《靈丹》、梅卓燕李鎮洲舞蹈劇場《藍舞》、糊塗戲班《爆谷殺人狂》、進劇場《象從不遺忘》、楊惠美獨舞《捕捉流水》等。
Graduated from the University of Hong Kong in computer engineering, Adrian Yeung is a video designer and theatre practitioner. He directed (No)rwegian Wood (Shu Ning Presentation Unit YY Theatre Green Power 2), performed in Theatre du Pif's the Overcoat, wrote and directed Nonsensemakers' Coolie Zoolie (Polar Bear).
His recent video works for theater include New Vision Art Festival ’08 In the solitude of cotton field, SamKit’08 Perfect Match, HK Art Festival '08 The Shape of Things, Kearen Pang's Goodbye but goodbye, Daniel Yeung's Medi.C, Mui Cheuk-yin and Lee Chun-chow's Dancing Blue, Nonsensemakers' Popcorn, Theatre du Pif's e never forgets and Yeung Wai-mei's Spiritual Girl etc.
胡美寶 Wu May Bo
胡美寶 May Bo, Wu
獲香港藝術發展局及英國利茲大學獎學金到英國修讀碩士課程，表演及文化研究碩士，並以優異成積畢業。香港演藝學院戲劇學校藝術學士(榮譽)學位課程畢業生，主修表演。在校時期曾獲尤德爵士獎學金、婦女協會國際女性獎學金及優秀學生獎。擁有豐富演出及舞台演出製作的經驗外，更積極參與及關注戲劇教育和劇場藝術的應用與發展。曾參與的創作、演出和教育工作除香港本土外，更包括澳門、台灣、韓國、英國、美國等等。胡氏曾跟隨多位劇場表演大師和不同體系學習，包括於於the Ecole de Mime Corporel Dramatique接受默劇訓練、Odin Teatre、 Phillippe Gaulier及前三藩市默劇團藝術總監Dan Chumley義大利即興喜劇訓練。 胡氏除有豐富的劇場創作與演出經驗外，近年亦關注戲劇藝術與劇場形式於社區文化及藝術治療的應用和發展。2005年到2008年於澳門演藝學院戲劇學校教授演技、青少年戲劇、默劇和形體訓練。
May Wu was awarded a full scholarship from Arts Development Council and University of Leeds, U.K. for completing her Master Degree (with merit) in Performance and Cultural Industries, Theatre as Social Intervention. During her study she has been facilitating workshops and devised projects with local university students as well as in local community. She also has obtained a Bachelor (Hons) Degree in Fine Arts, Acting, in Hong Kong Academy for Performing Arts, majored in acting. She has also been awarded various scholarships in actively involved in major productions. She is constantly creating her own stage productions and working with other professional theater companies, including artists from Hong Kong, Macao, Taiwan, Korea, England, U.S.A, etc. As an actor, director, movement artist, theatre-in-education facilitator and educator. She has extensive experience not only in theatre performances, but also concerns the capability of applying different drama tools in order to achieve specific goals; such as community regeneration. From the year 2003 to 2008, she has been teaching at the Macao Conservatory, School of Drama, responsible for acting, youth theatre, mime, and movement classes. Now May is a freelance theatre practitioner.
獲香港藝術發展局及英國利茲大學獎學金到英國修讀碩士課程，表演及文化研究碩士，並以優異成積畢業。香港演藝學院戲劇學校藝術學士(榮譽)學位課程畢業生，主修表演。在校時期曾獲尤德爵士獎學金、婦女協會國際女性獎學金及優秀學生獎。擁有豐富演出及舞台演出製作的經驗外，更積極參與及關注戲劇教育和劇場藝術的應用與發展。曾參與的創作、演出和教育工作除香港本土外，更包括澳門、台灣、韓國、英國、美國等等。胡氏曾跟隨多位劇場表演大師和不同體系學習，包括於於the Ecole de Mime Corporel Dramatique接受默劇訓練、Odin Teatre、 Phillippe Gaulier及前三藩市默劇團藝術總監Dan Chumley義大利即興喜劇訓練。 胡氏除有豐富的劇場創作與演出經驗外，近年亦關注戲劇藝術與劇場形式於社區文化及藝術治療的應用和發展。2005年到2008年於澳門演藝學院戲劇學校教授演技、青少年戲劇、默劇和形體訓練。
May Wu was awarded a full scholarship from Arts Development Council and University of Leeds, U.K. for completing her Master Degree (with merit) in Performance and Cultural Industries, Theatre as Social Intervention. During her study she has been facilitating workshops and devised projects with local university students as well as in local community. She also has obtained a Bachelor (Hons) Degree in Fine Arts, Acting, in Hong Kong Academy for Performing Arts, majored in acting. She has also been awarded various scholarships in actively involved in major productions. She is constantly creating her own stage productions and working with other professional theater companies, including artists from Hong Kong, Macao, Taiwan, Korea, England, U.S.A, etc. As an actor, director, movement artist, theatre-in-education facilitator and educator. She has extensive experience not only in theatre performances, but also concerns the capability of applying different drama tools in order to achieve specific goals; such as community regeneration. From the year 2003 to 2008, she has been teaching at the Macao Conservatory, School of Drama, responsible for acting, youth theatre, mime, and movement classes. Now May is a freelance theatre practitioner.
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